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Writing --- History --- History of writing --- Origins --- Writing - History --- Écriture --- Histoire
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Over the last two decades, the study of graffiti has emerged as a bustling field, invigorated by increased appreciation for their historical, linguistic, sociological, and anthropological value and propelled by ambitious documentation projects. The growing understanding of graffiti as a perennial, universal phenomenon is spurring holistic consideration of this mode of graphic expression across time and space. Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding complements recent efforts to showcase the diversity in creation, reception, and curation of graffiti around the globe, throughout history and up to the present day. reflecting on methodology, concepts, and terminology as well as spatial, social, and historical contexts of graffiti, the book's fourteen chapters cover ancient Egypt, Rome, Northern Arabia, Persia, India, and the Maya; medieval Eastern Mediterranean, Turfan, and Dunhuang; and contemporary Tanzania, Brazil, China, and Germany. As a whole, the collection provides a comprehensive toolkit for newcomers to the field of graffiti studies and appeals to specialists interested in viewing these materials in a cross-cultural perspective.
LITERARY CRITICISM / General. --- Epigraphy. --- archaeology. --- history of writing. --- social history.
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Africa is still considered by many to be a continent without writing, even though a number of written cultures have existed since as early as the ancient period. This volume provides a comprehensive presentation of the writing systems that were in use in ancient north (east) Africa. It focuses on the question of how these writing systems each developed and influenced one another. Afrika gilt heute vielen immer noch als »schriftloser« Kontinent, obwohl bereits in der Antike dort mehrere Schriftkulturen existierten. In dem vorliegenden Buch werden nun die teils wenig erforschten Schriftsysteme, welche im antiken Nord(ost)afrika in Gebrauch waren, umfassend dargestellt. Dabei geht es vor allem um die Frage, wie sich diese entwickelten und gegenseitig beeinflussten. Ist die numidische Schrift im römischen Nordafrika, die heute noch von den Berber verwendet wird, eine Eigenschöpfung oder lassen sich Vorbilder feststellen? Warum und wie genau vollzog sich der Wechsel von den altägyptischen Schriften in pharaonischer Zeit zur koptischen Schrift im christlichen Ägypten? Wie ist die Verbindung zwischen den napatanischen und meroitischen Hieroglyphen und ihren altägyptischen Vorbildern exakt zu fassen? Was veränderte sich bei der Adaption der koptischen Schrift hin zur altnubischen? Wie entstand aus der altsüdarabischen Konsonanten- die moderne äthiopische Silbenschrift? Sind dabei Einflüsse aus Indien oder Meroë greifbar? Auch spezielle Aspekte werden behandelt, etwa Beispiele für eine scrittura franca zwischen Rotem Meer und Indischen Ozean, ein antiker Versuch, die Sprache der Beja-Nomaden schriftlich wiederzugeben, Ägyptogramme in meroitischen Monumentalinschriften oder Konvergenzformen wie das »Pseudo-Sabäische« im aksumitischen Reich. Insbesondere wird behandelt, wie und wann es zur Schriftübernahme bzw. -adaption kam bzw. wann dies ausblieb.
African Studies. --- Berberology. --- Egyptology. --- History of Writing. --- Linguistics. --- Nubiology.
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Dem Neben- und Miteinander von Hand- und Druckschriftlichkeit in der Frühen Neuzeit bis in die Goethezeit ist in der Forschung bisher nur ungenügend Beachtung geschenkt worden. Der Übergang von der Hand- zur Druckschriftlichkeit ‚nach Gutenberg‘ wird gerne als ein Ablösungsprozess beschrieben; erst in der Zeit um 1800 nehme die Handschrift im Lichte neuer Autorschafts- und Individualitätskonzepte neuen, auratischen Charakter an. Der Band argumentiert in Fallstudien für eine neue Aufmerksamkeit für die zahlreichen Interferenzphänomene von Handschrift und Druck, die die unterschiedlichsten Formen und Funktionen annehmen können. Er fokussiert besonders handschriftliche Interventionen in gedruckten Büchern: Diese brechen den durch den Druck fixierten Text auf, indem sie ihn kommentieren, korrigieren oder erweitern. Sie weisen auf veränderte Gebrauchskontexte, die Flexibilisierung vermeintlich statischer Autorschaftskonzepte und die Dynamik von Korrekturprozessen. Der Band plädiert in der interdisziplinären Zusammenschau von Literatur-, Buch- und Geschichtswissenschaften für einen neuen, materialitätsorientierten Blick auf alte Fragen der Literaturgeschichte des Druckzeitalters. This edited volume examines the forms and functions of the interaction between hand writing and print culture in the period ca. 1500 to 1800. Handwritten interventions into printed books interrupt the text fixed in print by commenting on it, correcting it, or expanding it. They point to changing contexts of use, the flexibilization of supposedly static concepts of authorship, and the dynamics of correction processes.
LITERARY CRITICISM / Ancient & Classical. --- Materiality. --- authorship. --- book printing. --- history of writing.
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A cross-cultural, comparative view on the transition from a predominant ‘culture of handwriting’ to a predominant ‘culture of print’ in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor.While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
LITERARY CRITICISM / Books & Reading. --- Materiality. --- change of medium. --- history of writing. --- letterpress printing.
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Since 1899 more than 73,000 pieces of inscribed divination shell and bone have been found inside the moated enclosure of the Anyang-core at the former capital of the late Shang state. Nearly all of these divinations were done on behalf of the Shang kingsand has led to the apt characterization that oracle bone inscriptions describe their motivations, experiences, and priorities. There are, however, much smaller sets of divination accounts that were done on behalf of members of the Shang elite other than the king.First noticed in the early 1930's, grouped and periodized shortly thereafter, oracle bone inscriptions produced explicitly by or on behalf of "royal familygroups" reveal information about key aspects of daily life in Shang societythat are barely even mentioned in Western scholarship. The newly published Huayuanzhuang East Oracle Bone inscriptions are a spectacular addition to the corpus of texts from Anyang: hundreds of intact or largely intact turtle shells and bovine scapulae densely inscribed with records of the divinations in which they were used. They were produced on the behalf of a mature prince of the royal family whose parents, both alive and still very much active, almost certainly were the twenty-first Shang king Wu Ding (r. c. 1200 B.C.) and his consort Lady Hao (fu Hao). The Huayuanzhuang East corpus is an unusually homogeneous set of more than two thousand five hundred divination records, produced over a short period of time on behalf of a prince of the royal family. There are typically multiple records of divinations regarding the same or similar topics that can be synchronized together, which not only allows for remarkable access into the esoteric world of divination practice, but also produce micro-reconstructions of what is essentially East Asia's earliest and most complete "day and month planner." Because these texts are unusually linguistically transparent and well preserved, homogeneous in orthography and content, and published to an unprecedentedly high standard, they are also ideal material for learning to read and interpret early epigraphic texts. The Huayuanzhuang East oracle bone inscriptions are a tremendously important Shang archive of "material documents" that were produced by a previously unknown divination and scribal organization. They expose us to an entirely fresh set of perspectives and preoccupationscentering ona member of the royal family at the commencement of China's historical period. The completely annotated English translation of the inscriptions is the first of its kind, and is a vibrant new source of Shang history that can be accessedto rewrite and supplement what we know about early Chinese civilization and life in the ancient world. Before the discerning reader are the motives, preoccupations, and experiences of a late Shang prince working simultaneously in service both for his Majesty, his parents, and hisown family.
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This book captures the intensity of the relationship between writers and their typewriters from the 1880s, when the machine was first commercialized, to the 1980s, when word-processing superseded it. Drawing on examples from the United States, Britain, Europe, and Australia, The Typewriter Century focuses on "celebrity writers," including Henry James, Jack Kerouac, Agatha Christie, Georges Simenon, and Erle Stanley Gardner, who wrote prolifically and mechanically, developing routines in which typing, handwriting, and dictation were each allotted important functions. The typewriter de-personalized the text; the office typewriter bureaucratized it. At the same time, some authors found a new and disturbing distance between themselves and their compositions while others believed the typewriter facilitated spontaneous and automatic typing. The Typewriter Century provides a cultural history of the typewriter, outlining the ways in which it can be considered an agent of change as well as demonstrating how it influenced all writers, canonical and otherwise.
Typewriters --- Typewriters --- Typewriting --- History. --- Social aspects. --- History. --- Agatha Christie. --- Enid Blyton. --- Erle Stanley Gardner. --- Georges Simenon. --- Henry James. --- Jack Kerouac. --- history of technology. --- history of writing practices. --- manuscript culture. --- nostalgia. --- pulp fiction. --- typewriter.
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Der Band vereint Beiträge zu neueren Entwicklungen in der Schrifttheorie, vor allem aus linguistischer, philosophischer, medientheoretischer und sprachdidaktischer Perspektive. Dabei geht es zum einen um die Frage, mit welchen Methoden und Kategorien Schrift und Schreiben analysiert werden können und worin sich die geschriebene Sprache medial von der gesprochenen unterscheidet. Zum anderen werden Einflüsse des Mediums Alphabetschrift auf die historische Entwicklung dieser Disziplinen nachgezeichnet und verschiedene Schrifttypen im Verhältnis zueinander beschrieben. Ausgangspunkt für die Beiträge waren die schrifttheoretischen Arbeiten Christian Stetters, insbesondere seine Thesen, dass die Alphabetschrift nicht als eine Art Lautschrift zu begreifen sei, und dass die spezifischen Eigenschaften dieses Schrifttyps zur Genese formaler Sprachbetrachtung in Sprachwissenschaft und Philosophie entscheidend beigetragen haben. In den Beiträgen des Bandes werden Schwierigkeiten der Orthographie-Reform ebenso reflektiert wie didaktische Kontroversen zum Schriftspracherwerb, die Pragmatik des Schreibens ebenso wie die Ästhetik unterschiedlicher Schriftarten. The volume brings together papers on new developments in the theory of writing systems, above all from the perspectives of linguistics, philosophy, media theory and language education. Firstly there is the question of the methods and categories used for analysing writing, and how written language as a medium is different from spoken language. Secondly, the influences of alphabetic scripts on the historical development of these disciplines are traced, and various types of writing system are described in relation to each other. The starting point for the contributors was Christian Stetter's work on the theory of written language, especially his theses that alphabetic script is not to be seen as a kind of phonetic script and that the specific characteristics of this writing system have had a decisive influence on the genesis of formal language reflection in linguistics and philosophy. The papers in the volume reflect on the difficulties of spelling reform and on didactic controversies around the acquisition of written language, on the pragmatics of writing and on the aesthetics of various types of script.
Philosophy of language --- Writing --- Language and languages --Philosophy. --- Written communication. --- Language and languages --- Written communication --- Languages & Literatures --- Philology & Linguistics --- Philosophy --- 801.7 --- Taalkundige semiotiek --- 801.7 Taalkundige semiotiek --- Written discourse --- Written language --- Communication --- Discourse analysis --- Visual communication --- Alphabet --- Linguistics --- Philosophy. --- History. --- Chirography --- Handwriting --- Ciphers --- Penmanship --- Hieroglyphics --- Letters of the alphabet --- Latin alphabet --- Roman alphabet --- Transliteration --- History of Writing. --- Media Theory. --- Orthography. --- Écriture --- Philosophie --- Histoire
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Books --- Writing --- Cultural property --- History --- Societies, etc. --- history of writing --- history of books --- information science --- library science --- museum studies --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Chirography --- Handwriting --- Property --- World Heritage areas --- Language and languages --- Ciphers --- Penmanship --- Books. --- Writing. --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Book Studies & Arts
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